#i hate it so much and i will never forgive them

[citrus-writing]

Hello-hello

In your headcanons, Chrollo is very careful with reader, afraid to scare her away with some thoughtless actions or words. Especially when it comes to intimacy

But could something happen that would make Chrollo just take her by force?

Perhaps something made him very angry or upset, but that wasn’t fault of the reader herself?(He’s a leader of the Troupe after all…)

Will Chrollo blame himself the next day?

Spoilers for the yorknew and succession war arcs! 

Warnings: nsfw, non-con 

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I imagine there are a few things that could upset Chrollo so deeply he acts impulsively, and when it comes to his darling, the impulse he’s constantly holding himself back from is taking them by force. Because he wants them so badly, and normally he has a great deal of self control, but when his grip on his emotions start to slip, so does his control over his more innate desires when it comes to you.

The deaths of his fellow troupe members hit him hard, harder than he’d like to admit, and as much as he tried to push the despair from his mind, it left him reeling. How someone could be there one moment and then gone the next- of course he’d always know this, but to lose so many so dear to him so fast has him desperate for something to ground him. 

And of course, it’s you. You’re all that he needs, he knows this, he’s always known. Just to hold you close, smell the scent of your hair, feel your soft breath on his skin, listen to the soft beating of your heart. It’d be enough. It’d be more than enough. 

Chrollo wraps his arms around you tight, pulling your back against him as you lay together in his bed. It’s not uncommon to lay like this together, but you can tell something is wrong. His breathing is a little off, and his heartbeat is pounding. 

His hands trace little patterns on your skin, inching over your bare arms and across the fabric of your nightclothes. It’s not like him, to get so handsy with you. It’s so unlike him that you squirm a little, uncomfortable with the advances he’s making. 

“Chrollo-” you whisper, unsure what’s gotten into him and scared of what it could mean. 

“Forgive me, my love.” he whispers against the back of your neck, before pressing an open mouthed kiss against your skin. 

He’s been holding back for so long, wanting you for what seems like an eternity but never able to have you. But tonight he can't resist you, whatever it is that draws him to you is too strong and he cant stop himself from indulging in you. Surely you’ll hate him for this, surely all the progress he’s made will be lost, but he needs you- more than he’s ever needed anything. 

He pins you down beneath him, body caging yours against the bed, and before you can let out a noise of protest his lips are on yours. Gone is the way he normally kisses you; so soft, so sweet. 

The way he normally gently caresses and touches you is gone, replaced with this new side of him, hungry and desperate. 

It’s not that he’s rough with you- even now, he hates the idea of having to hurt you. But if you insist on making this difficult, he won't be able to hold back. But he’d much rather have you willing beneath him. Or, if not willing, then at the very least, not defiant. 

He kisses you again and again, his tongue sliding into your mouth when you try to gasp. His body presses up against yours, hips moving against yours in a desperate attempt for friction. This is what he needs- all of you. And soon enough he can wait no longer; pulling at your clothes to free your body to the night air, delighting in the sight of you finally, finally, bare to him after all this time. 

He knows he’ll hate himself tomorrow, he knows he’ll fall to his knees and beg you for forgiveness, plead for you to give him another chance. But with you beneath him like this, tomorrow seems so far away.

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[certifiablyinsanez]

Okay, I’m not coping well with the emotional whirlpool I’m experiencing after Mastermind. And this scene right here:

Is something that is haunting me. Because it’s not difficult to see what troubles lie ahead for them, what consequences await for the events of the trial. What do we already know about Blitz? That he has deeply hated himself for many years. Maybe he felt slightly better after Millie’s monologue in Ghostfuckers, but I think we all know that such a deep seated hatred of oneself doesn’t disappear in a single conversation. This much is clear by the pictures in Blitz’s apartment still being blacked out that we can see in the background in Mastermind. And any relief he may have felt from Millie’s sincere story is going to be completely shattered.

I have no doubt personally that Blitz has always thought he ruined Stolas’ life. He’s not a stupid man; he’s observant. He knows the struggles Stolas has gone through with the advent of their deal and relationship. He’s seen the wedge he put between him and his daughter. He knows the kind of hell the divorce has put him through. But now?

If there was any doubt he ruined his life before, it’s gone now. Because Stolas has now utterly, and completely, lost everything. His titles, his status, his wealth, his home, his power. All that’s gone. But worse? He’s entirely lost his daughter now. Blitz will probably never forgive himself for that. I mean shit, he literally said this:

Stolas is a much more powerful being than Blitz. But Blitz believes he deserves to die rather than put Stolas in harms way. Blitz will probably be wishing that he died rather than live with the fact that he’s brought Stolas low. Stolas’ punishment is far longer than Blitz’s life span. The consequences of saving his life will outlive him. There no chance Blitz will accept this as Stolas’ choice. Not only will he have to deal with the trauma of the trial before Stolas arrived, but also the result of what it’s done to the man he loves more than life itself.

But Stolas? Stolas would do it again. The way he says it, “Always”, is just so raw and softly powerful. Because he’s just had his powers ripped from his body. He’s lost it all, he’s lost his child. But he would do it again. There was no other choice to be made. There was no alternative. He said it himself:

Stolas is a suicidal figure. He prepped his daughter for the day he wouldn’t be around. He doesn’t value himself or his life at all. He’s suffered tremendously. He probably already believes he’s lost his daughter. His daughter has made it clear that she hates him. Outside of Blitz, who is his light in the darkness, his soulmate and true love, what does he have to live for? To Stolas this was a no brainer. He went to that block with dignity. He was so willing to die for his love.

So when Blitz thanks him for saving his life, Stolas, breathless and weak, says “Always”, because he will always love him, need him, cherish him. He will always put him above himself, which is something Blitz wouldn’t understand but is second nature to a gentle spirit like Stolas. Stolas who escaped the torments of his life in his books, who is humble and sweet with a lowly imp because his body and soul needs Blitz like he needs air. A true romantic, a soft demon who gave it all up for love and would do it again.

Always, he says, and means with every syllable.

[ganondoodle]

can you tell us more ab shargon’s kids?? :0

(sorry for the ... very rough sketch and probably unreadable text, struggeling alot with art atm ... still ..)

Thank you for asking!

Shargon has two young children, Jyothi and Tyura (forgive the weird names, made them when i was young and they are too ingrained now to change ..)

(Shargon is a single parent; demons do not have a gender/only one, all of them have the ability to bear children with an organ that sits right beneath the demonic heart, they also do not need a partner, they can just decide to have a child and trigger the process- while carrying they cannot shapeshift since an unborn demon cannot go along with that- genetics are usually not a problem since demons generally draw from a huge gene pool dating back eons; if they have a partner they will have to exchange some heartblood for the child to be a mix of both; growing a child is very energy draining and when carrying its not unusual for a demon to resort to consuming food, which they typically dont need to do; maintaining a certain energy level is very important since otherwise the risk of deformities in the child increases alot; a newborn demon (birth occurs through the mouth) has a few baby teeth with which to bite its parent/caretaker and feed on their demonic blood, it is not a requirement but many do since it accelerates their growth and can even out energy imbalances)

Jyothi, comparable to a 13 year old human, is a rather healthy young demon with alot of skill using elemental magic (wind in her case), which is why shes being taught by Lord Eadrya; Eadrya wants Shargon dead and regularly attacks him and although both of his children inherited his unnatural and hated/feared eye color, Jyothi stood up to Eadrya not knowing who they were at the time (and thus not their status and reputation) since Shargon lives extremely isolated- and even challenged them to a fight showing so much character and skill that Eadrya saw past her heritage and offered to teach her

The two get along well and she often sneaks away to find them bc she is so eager to learn and spend time with such a powerful and careless demon that everyone respects ... unlike her parent, who is weak, riddled with anxiety and hated by everyone, she still loves him of course, but the more time she spends away the more she adopts the way the other demons think and speak of Shargon

Shargon hates that she goes to them so much, mostly bc he is afraid they, and especially Eadrya, will hurt her or stop her from returning home, even with her special status bc of her talents, she still is his child after all; he does not and could not force her to not go though (a benefit is that she has been the only one besides Thor (Eadryas best friend) able to stop Eadrya from literally killing Shargon, as much as they are horrible to him, they do care alot for her)

(Jyothi has only started to grow her horns and her markings and colors will shift alot as she grows, as is typical for young demons)

Tyura, comparable to a 6 year old human, is much more like Shargon himself, very fearful and skitters away if theres anything they are unsure of, they are of the same elemental type as Shargon (lightning) but thus far has never used it beyond weak defensive shocks; they are also mute and have a deformed left hand likely bc Shargon was attacked and hunted for a long time while carrying them, thus not able to provide a stable energy level the other demons know of them but any attempt to get close to them has been prevented either by Shargon himself or .. Tyura fleeing and hiding (their body structure is also rather similar, the round shape is largely just fluffy feathers)

when Shargon is in the human world his children tend to stay with the only other demon he can trust (Ceryrion, an earth elemental and the chillest guy you can imagine), they dont like him much but love children and will happily go about their day while a little Tyura clings onto their back (though Tyura will absolutely dive back to Shargon whenever they notice his presence) both kids have been to the human world before but since it is very uncomfortable to be in as a demon he has only done so for them to meet Mori (Shargons human friend that lives .. illegally .. at the gates to the demon world) and avoided bringing them there otherwise

the time he is away has notably increased alot after accepting the deal with Zaphira (being her bodyguard .... 24 hours a day .. granted she did not know he had children, and also didnt know anything about demons but that she could use him to solve her problems)

here i go rambling again, i hope that gave you a bit of an idea of them ;O;

[lightlycareless]

I was reading your scorned ex husband stories and they made me so sad(especially the second one) then I started thinking about the twin au and like what if the twins parent trap them in a different divorced au? Lol. Naoya is still a dick obviously for splitting up twins(seriously who would do that??) but maybe not completely irredeemable for Y/N to forgive him 🥺 Hehe this is just something silly I thought up and wanted to share

Hellooooooo

Heheh this got me watching the movie again, right in the nostalgia. It had been so long since I last saw it that I actually didn't remember most of it, but I do think however: how the hell did they think that was a good idea 🤣 gee, talk about parent of the year.

Anyways, some liberties were taken to make the story work, though the premise is essentially the same.

Also, these are the works anon is referring to :) Ex-husband 1 & Ex-husband 2. Now onto the warnings:

Warnings: none major. Naoya is an a_hole, as always. Naomi and Naori are adorable, but poor kids seriously :'(.

Happy reading!!

If Naoya does this, you effectively hate him from that point forward.

It is non-negotiable, you never want to see him ever again, especially after the cruel words he used to justify the separation of his children:

“I only ever cared about Naori anyways.”

You made it your life-long purpose to keep Naomi from someone as despicable as her father—though it hurt you to do so, for it also meant you’d be away from your beloved son; just 2 years into his life… you barely got to make any memories with him before he was stripped away from your arms.

But such was the divorce agreement: the two would keep one child, and out of their lives.

Naoya remains in Kyoto with his son at the Zen’in estate, while you move back to Tokyo, close to your family but distant enough to have your own apartment. Just the two of you, the little home you always wanted.

In an unexpected turn of events, Naomi and Naori would go on completely unaware of each other until enrolling in the same elementary school.

It was almost undetectable at the beginning since Naomi now had your last name—but once teachers and students alike began to realize their physical similarities, it became impossible to ignore.

“No… we don’t look alike.” Naori would quietly complain. Out of the two, he was the least enthusiastic about this advancement, doing his best to avoid the limelight due to his reserved nature.

However, that wouldn’t mean anything to Naomi: ever the bubble one, she was nothing but to have a new best friend that looked just like her!

“We’re almost like twins!” she gasped—same hair color, eyes, height… how could they not? “I’ve always wanted a baby brother too.”

“Well, I don’t! And I could be older too, you know? Besides, why would I want a sister that’s weak and ugly…?”

Intended to hurt her, Naomi only laughed at his words, for it would take much more than that to bring her down—one could even say that the two were reflections of their respective parents in that matter: the only contrast between the two, as a matter of fact.

“That’s not true!” she happily refuted, taking hold of his hand and heading to the playground. “Now, come on! I want to go on the swings, and I need someone to push me!”

Though Naori was greatly unwilling at first, he’d soon warm up to her, mainly because she was part of the few, if not the only, kid that didn’t bother him because of his shyness; always rushing to the rescue whenever bullies began to swarm him, as well as reassure him there was nothing wrong with being the way he was.

And if that wasn’t enough, the food Naomi began to share with him (courtesy of you, after much insistence from her part) effectively validated their friendship.

“When will you ever bring him over?” you tease, it’s the happiest you’d ever seen your daughter! And for that, you couldn’t help but feel glad and obligated to repay the favor.

“I don’t know, mama. Nori-kun tells me his papa can be quite strict.”

You chuckle.

“Well, I’m sure I can convince him next time the parents have a meeting at school.”

“His papa doesn’t go to school.” Naomi frowns, her words making you sad for the poor child. “Says he’s too busy.”

“Oh, that’s awful. Well, what about the mama?”

“He doesn’t have one.”

Your heart longs to comfort him.

If they only knew…

And as time went on and their friendship flourished even more, so did their interests for one another; beyond those of their favorite colors and toys, and more into… personal grounds.

Matters that had always quietly hurt Naori one way or the other since he could remember; more so since you had been nothing but sweet and kind to a figuratively unknown kid, which highlighted the fact he never had that one thing he always wished for.

What he might never have, since his father has long given up on it, considering the way he coldly changes the subject, or completely ignores it. Naori simply… doesn’t talk about it.

Until now.

“Why don’t you have a dad?” He dares to ask; it’s no secret that the one to pick him up at school is one of his father’s many subordinates, always changing, not enough to be interesting to the other parents outside of how rich (or a jerk) he must be to have employees pick up his child.

Compared to you, always spoken of fondly for the following reasons:

If it was Valentine’s Day, you’d send Naomi with a big box of candies so she could share with all the class.

Halloween was the same, even hosting small gatherings if the children wished to celebrate in a safe environment.

If it was a classmate’s birthday, you always made sure to send them a personal gift or attend their birthday party. Your gifts might’ve put some parents to shame from time to time, but it didn’t matter, you kind of grew to be some kind of celebrity thus a few always tried to be on your good side—or Naomi’s, so to speak.

Naomi’s birthday… well, some fought to be on the guest list.

In other words,you were an amazing for both kids and parents alike, enough to inspire Naori to daydream about what it would be to have a loving mother like you—to always be at the door once it was time to leave, patiently waiting for the moment your daughter would come into view and subsequently pick her up into a tight, warm hug, followed by a kiss and wide smile as you urged Naomi to tell you all about her day.

Or more importantly, wonder if you were open to adopting him.

“Oh… that—I… don’t know!” Naomi responds truthfully. “Mama never talks about him.”

“Have you asked her?”

“Once or twice, but all she says is that I should focus on my studies!

…

But I can see how sad she gets whenever I mention him.” She continues. “Mama isn’t very good at hiding “adult talk” and neither is my auntie, so I always get to hear how lonely she is when they talk about him! … and how she should try dating other people, or whatever that means, so she wouldn’t feel like that anymore.”

“I think is when you marry someone.” Naori tries to explain, Naomi scowls out of disgust.

She doesn’t like the idea of sharing her mama with someone else, grows somewhat jealous too.

Well, maybe if it was Uncle Nanami, he’s always been nice to her and her mama. Not Geto because she plans on marrying him herself.

And she supposes her papa too… but how could someone you love make you sad?

“I don’t want her marrying anyone.” Naomi shakes her head. “She’s happy with me!”

“But don’t you wonder about your dad?” he asks. “What did he look like? How did he meet your mom?”

Or how they fell in love?

Naturally. Because just as Naori, and even after you tried your hardest to distract her from it… she too longed to have a father. Someone to play with her after finishing all her homework, put her over his shoulders and let her see the world from his height, or protect her from the monsters that lived inside the closet…

There must be an answer to both of their mysteries—people don’t simply disappear.

And such, is how they assigned themselves a new mission; a task of the upmost importance, requiring all their attention and care if they wish to uncover why they only have one parent—and who was such peculiar character.

Anything that could hint such solution is a chance they’d take, however…

To Naomi, this endeavor proved quite fruitless, for any indication of your past relationship was effectively ripped from the evidence. Quite literally: thousands and thousands of pictures cut in half, neatly removing the person that accompanied her mother—whom she assumed to be her father. And that’s without mentioning your consistent disapproval of the matter. Naomi was right where she began.

This lack of advancement both frustrated her and placed more pressure onto Naori’s efforts, which shockingly, turned to be quite more than what they bargained for. Getting results neither could’ve imagined, not even in their wildest dreams…

“Naomi-chan… I’m not sure if you’re ready to see this.” Naori would caution as he placed down a large wooden box before her, filled with his findings.

“Why? Why not, Naori-kun?” she frets, surely it couldn’t be anything too outrageous.

…Could it?

Yes, it could. And it was.

Because beyond the astonishing realization that all the pictures Naori brought were in virtually perfect shape…

The fact they both recognize the people in the photo, Naomi’s mother, wearing that same bright eyed, wide smile look on her face whenever particularly excited. Happy—alongside Naori’s father, with his usual dyed hair, ear piercings, and striking eyes…

Holding two newborn babies—named Naomi and Naori such as the inscription in the back stated, alongside their birth time and date (Naomi is older, at last is known) …

Is what truly shocked them.

…

…

…

You. Naoya.

Naomi and Naori.

Mama and papa.

A family, for all intents and purposes.

What everyone around them proclaimed: siblings.

Naomi and Naori were siblings. Twins.

“Does that mean we—”

Naori nods. If it hadn’t been obvious enough by now.

Nonetheless, as thrilling as this discovery was, for it essentially made their respective dreams come true… another question arose. One that undoubtedly could not proceed unanswered.

“Why aren’t our parents together?”

Or most importantly:

“How can we get them back together?”

“But what if they don’t want to?” Naori frets.

“I told you already! Mama looks very happy wit him, and auntie says she’s very lonely too… besides, if they get back together that means we’ll finally be a happy family! And isn’t that what you wanted?”

Naori presses his lips together, nodding.

“I want a happy family too. I’ve always wanted a papa to play with!” Naomi continues.

“And a mom to hug…” Naori adds. “What do we do?”

First…

Get them together, face to face. In other words, talk. It’s how adults always preached problems got solved.

Since you had given Naomi the impression you’re not interested in anything pertaining to Naori’s dad, she had to get creative. Force you into a position where you wouldn’t be able to ignore her as you’ve done before—and one where Naoya would inevitably have to go to school too.

It had to be a convincing excuse, and since the two were children in need of dire solutions, their innocent minds led them to the most extreme resolution yet.

“I need you to punch me.” Naomi says, determined.

“Why?!” he gasps.

“Because I need to get hurt for mama to come, and if you’re the one in trouble they’ll have to call your papa, and then, the two will be here, just as we planned!”

“Can’t we do something less dangerous…?” Naori doesn’t like the idea of getting in trouble with his strict dad, as if he weren’t insufferable enough…

“No, Naori. It must be this!”

“But I don’t want to punch you…”

“Come on, we have to do it to have a family!!” she insists. “Or do you not want mama to make you food every day? To hug you too??”

He swallows.

“I do.”

“Then do it!”

And… he does. After taking a deep breath, clenching his fist and hitting Naomi in what she could only describe the weakest punch she could’ve ever anticipated. Surely, not enough to make this case convincing.

“Naori! You have to hit harder than that!”

“I—I tried!” he cries.

“No, you didn’t!” she cries back. “You didn’t even try!”

“Ye—yes I did!” Naori frowns. “It’s not my fault I’m not as strong as you!”

“Yeah, right! You’re a boy, you’re supposed to hit harder!” Naomi adds, smirking soon after an idea crosses her mind. “… Then I guess you don’t really want a mama.”

“I do want a mom…”

“No, it’s fine. I should’ve known not to trust you with something so important anyways—” she says, words that brush each and every one of Naori’s insecurities. “You’re just as weak as everyone else says…”

With a frown on his face, and a sour tightness in his chest, little Naori quickly clenched his fist and prepared himself to prove her wrong once and for all. Show that he wanted this just as much as she did—if not more.

Naomi was trying her best to get a rise out of Naori, everything necessary to motivate a genuine hit out of him and get their plan in motion—she never meant any of those words, intended to apologize after all was said and done, though she doubted it would matter once they got what they sought after.

But it was almost comical how it happened, how he miscalculated his steps, how far his hand had to travel to hit Naomi, and how he ended up doing far more than necessary: but convincingly so, in the end. Tripping over her and sending the two tumbling down, loudly hitting the ground in such a motion that had them scraping their skin, and of course, tears following suit.

“Maaaaaaa, I want my mamaaaaa.” Naomi intuitively cried, tightly holding onto the teacher as the two were sent to the infirmary.

Naori didn’t cry much for his father, he rarely did considering his prominent absence, but just one look at his teary face and trembling lip, and it was obvious whom he sought for comfort—the same one the school somehow convinced to come along and deal with this unfortunate incident.

As well as the supposed altercation that made way for all this to happen in the first place.

“No, what do you mean a fight??” You’re the first to arrive, demanding a believable explanation from the teacher. “That’s not—that doesn’t sound like my daughter!”

“I know, I thought the same… but that’s what the kids are saying.” She explains. “That Naomi-chan was inciting Naori-kun to punch her, and that she was even saying awful things to get him to do that. I don’t know what they were doing, if they were playing a game or… I don’t know; all of it is so weird—I’m sorry.”

You sigh.

“It’s fine. There’s no need to stress when it’s already happened.” You explain. “Is the parent of the child here already?”

“Should be soon, but I don’t know if he’s actually coming, Naori’s dad isn’t quite… present.”

You frown at the name.

“Naori? Wasn’t he Naomi’s best friend?”

She nods.

“It just makes everything even more unbelievable… really, what’s gotten to them?”

You hope to figure such when speaking to the poor child your daughter allegedly antagonized, after apologizing for such behavior of course. Which you’d have to deal with after returning home—Naomi… seriously, what could’ve possibly gone through her mind to incite such act? Was she being bullied? Did Naori suddenly decide he no longer wanted to be friends with her?

And why did his name appear to be so… familiar?

You’d figure it out soon enough when entering the infirmary, quickly scanning across the room for your daughter—only to freeze upon locking into Naoya’s; a much smaller, softer version of them, that is.

“Mamaaaaa!!” Naomi quickly cries when seeing you walk past the door, rushing to your side and hugging you tightly, the adrenaline of the whole succession still vivid in her mind. “Mama, it—it hurts a lot!”

Comforting her ought to be your utmost priority, but at the sight of your estranged child, the baby you were forcibly stripped away from… you couldn’t think of anything else but pinching yourself to see if this was a dream—if he was truly there, before you: flesh and bone. After so many years of distance…!

And naturally, hug him. Keep him so, so close to you and never let go; to make up for all the time you’ve spent apart and the things you never got to do because of his undeserving, cruel father…

Who stomped past the door soon after, equally freezing when seeing his estranged child, and ex-wife after 5 years of imposed silence. Startled, as if he hadn’t been the deciding factor behind it all.

Or perhaps, the reason why Naori enrolled in this school in the first place.

“Y/N.”

“Naoya.”

Looks like there’s much to catch up to.

Obviously, part 2 is needed. Essentially where Naoya will disclose more of what the hell was going on in his mind when pulling that stunt, as well as some angst. I have to. hahaha

Anyways, I hope you enjoyed this little thing I wrote; I do love it when we indulge into domestic au... but not at the expense of the kids 😭😭😭 think of the children!!! lol.

Well, 0nce again, thank you so much for sending in this ask!! Now take care, and hope to see you soon!!

[holyblanchett]

I don’t give a shit about wagatha as a ship but ship and let ship it’s all fine but I fucking hate that Elizabeth Olsen and Kathryn Hahn had so much interviews,videos and content together and Kathryn and Aubrey had fucking zero like WTF? Are we suppose to just forget that their relationship was supposedly important to the story, to the show??? What’s going on there?? Marvel decided to pretend that it never existed??

Marvel clowned us fr! Even if they didn't want to disclose their relationship they could have prerecorded the interviews and photoshoots and dropped them after the show aired. Marvel hates us fr I will never forgive them for this.

[indigosaffron]

Caitvi being endgame was the thing that ruined season 2.

I don't mean that in a homophobic way - I am literally a lesbian and in the first season, I rly liked Caitvi's dynamic. Vi was given a space to heal and a person who helped and cared for her. She didn't need to protect and lead Caitlyn like she did with Jinx, Mylo and Claggor, and as a result we got to see her heal and be vulnerable as she didn't have to be strong for the people she loved. Caitlyn, on the other hand, had grown up sheltered and privileged, and her relationship with Vi allowed her to see the people of Zaun more clearly and encouraged her to help them and set aside her prejudice. This dynamic was also reflected in how the show portrayed the people of Zaun. In the first season, it's very pro-Zaun, pro-revolutionary, anti-fascism, all that.

And then the second season, Caitlyn pulled a complete 180, started acting like a fascist and hating the people of Zaun, and in the end... Vi forgives her.

Is this in character for both of them? Yes, actually. Caitlyn has grown up sheltered and was raised to look down on the people of Zaun, it's very easy for her to just turn back to that way of thinking. Vi is also incredibly dependent and forgiving when it comes to those she loves. We see how hard it is for her to let go of anyone - Vander and Powder are obvious examples. So it isn't strange that she doesn't leave Caitlyn and forgives her in an instant.

Would it have been so much more interesting if Vi didn't forgive her? Yes. A million times yes. I would've loved to see that character growth for Vi, of her establishing that boundary and deciding that she had to leave Caitlyn behind. I'm honestly kind of mad that they gave Jinx so much development and growth throughout the story and Vi has barely changed. Her political beliefs seems to be the biggest thing that has changed, and even those are rooted in the same character traits - first she was fighting for powder, now she's fighting for Caitlyn.

It's not just that I'm mad that they never address how toxic this relationship becomes in season 2. I saw someone else mention how it went from "privileged + oppressed" in s1 to "oppressor + oppressed" in s2 and if that doesn't just sound like literal abuse to you idk what to say. They frame this in the show as a normal relationship - at best, it's both of their faults and their both in a bad place mentally. They never address how horrible Caitlyn acts throughout act 1.

As a result of this, they kind of lose the whole "Piltover is an oppressive force and the people of Zaun should revolt" plot line. Instead it becomes "both sides are bad and in the wrong", just like with Caitvi's relationship. After all, the show can't properly condemn Piltover and yet support Caitlyn at the same time. And if they want Caitlyn and Vi together in a relationship that looks healthy, they have two options - either they address the flaws in the relationship and take the time required to fix them, or they ignore the flaws and pretend it's not a big deal.

They don't have the time in 2 seasons to address those flaws, though, so they decide to ignore them, and in doing so ignore the flaws in Piltover's overall treatment of Zaunites. This creates a contradicting message between the first and second seasons. In the first season, it was obvious that the Zaunites were being mistreated and that they should rise up. In the second season, they suddenly ignore all of that, and instead make the nations unite to face the "bigger problem". I didn't really like the hex tech plot line to begin with because I felt like it distracted from the more important plot line, which was the whole Piltover v Zaun thing, which they completely brushed under the rug.

Maybe this would've been better if they'd had more time to properly flesh out Caitvi's relationship, but as it is, it would've been better if it wasn't endgame at all imo.

[rosie-kairi]

*Knocks on ask door* can I offer you some Lauriam angst? Or rather Marluxia?

So let's ignore that he sees Xion as Sora because that doesn't make sense. Instead we're really going to fuck with his head.

So sometimes he walks into the castle lounge and there's Roxas and Xion but sometimes he does a double take because he's looking at two Roxas. Except one is smaller, younger looking, and it's suddenly hard to breathe and why does he feel like falling to his knees and apologizing profusely?

He never says it out loud but he hates being around Zexion alone. There's something about him when he's holding a book, and his hair falls right over his eye and his jacket that is painfully familiar. The feeling of begging for forgiveness returns and if he looks him in the eye too long he has to get out of the room asap.

Some days when he's with Xion she thankfully doesn't look like a mini Roxas. But she insisted looks like a different girl with long black hair and kind brown eyes. Why does he feel like he's drowning? It's like stabbing pain if he's alone with her like this and he can't get away fast enough.

Repliku is just as bad, looking at him with the hair and eyes something familiar stirs and it's painful because of course it is. Why does looking at him feel like he's unworthy? There's a feeling he promised something big but failed but any further exploration hurts. He's silently glad when the doll is destroyed.

But the worst is on his really bad days and he looks as Xion and sees a totally different girl. She has long orange tails and a white dress. Her concerning gaze sends him literally running and he doesn't question why there are tears. He just runs.

Marluxia doesn't wonder why these phantom pains are there. After all he doesn't have a heart so it doesn't matter it's just bothersome. Until he's dying in the keyblade graveyard and all his memories and emotions fully come back does he understand. If only he made different choices if only he kept his promise. Could things have been different?

There's so much he wants to say to Sora but can't. He hopes his heart can send the message. That for any of them left alive please take care of them for him.

^me when I think about Marluxia in the context of khux.

He's being besieged by spirits of his past and he doesn't even know. He doesn't even know what he's missing because he assumes all the other nobodies feel empty in the same way he does, but he's got like, super-advanced mega empty. Deluxe Emptiness.

Do you think he'd have ptsd if he saw Maleficent again, do you think his body would ache from long-healed injuries at the sight of the dark fairy, do you think he would be mad at seeing her around? like he failed something, but he doesn't know what he failed.

[novemberocean]

"If writers strike, we can't guarantee the continuation of your favorite shows!"

You can't do that ANYWAY get fucked and treat your writers with respect

[mylastmoleculeofserotonin]

It is absolutely wild to me that some people are borderline accusing Hedland of misappropriating funds for the Acolyte because, at least to me, the neither the production value, writing, coreo nor acting were any worse than shows like Andor or the Mandalorian. But more importantly, I wonder why a show made after two very important strikes in the theatre industry may cost a bit more per episode. Like maybe, they’re actually paying people and keeping working conditions safer? And honestly, considering how much hate everyone working on the show received, I would be fully supportive of them to use their funds to go on a nice long vacation away from everything, they deserve it.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[triglycercule]

would i be considered a lunatic if i said that horror's story could be read as a parallel for SA. Hear Me Out: (obviously be careful for reading this bc like,,, sensitive topic)

i feel like the largest parallel could be the actual event of getting his eye taken. a part of his body is "taken" and literally or metaphorically horror was pinned down and forced to give up his body (even worse considering that a literal part of him was PULLED out with a foreign object designed solely to hurt HIM SPECIFICALLY). it's digusting and horror claws and fights his way out to prevent it but unfortunately it still ends up happening no matter what he could've done. no matter how many backup plans or extra contibutions or begging or fighting he did. which like. sounds honestly pretty simple to the reality of victims of SA. that hopelessness of knowing that even if you did as much as you could, covering up, devoting yourself to a life of chastity, not hanging with people like thay, there's still a chance that something bad could happen and all of a sudden everyone's out to get you and how could they just stand by and do NOTHING while you were left to suffer and defend yourself

which leads onto the next point i wanna bring up which is horror's rage immediately after getting his eye stolen. his anger at the betrayal is (very justified my boy did nothing to deserve this) solely about him and his bodily autonomy. undyne (and alphys ig,,,,) couldn't consider ANY other possible solution than to deprive him of his autonomy and decide to just take what they wanted from his body??? AND THE FACT THAT ALPHYS SAID THAT HE MIGHT AGREE TO GIVING UP HIS EYE? it's giving very much so "oh it'll feel good so don't worry" type shit or whatever (horrortale alphys i DONT like you). a betrayal at the hands of someone you trusted a lot about your bodily autonomy? it just gives off that sort of parallel

and the sheer anger and fury that horror felt and enacted on alphys and undyne and everyone else at the CORE just like DUDE. that is a type of anger that only comes out when you've been deeply wronged. sometimes when a horrific experience like getting SAed happens you just wanna explode and drag down everyone around you and ESPECIALLY the perpetrators no matter how much you rationalize. you can have as many people as you want try to convince you that revenge and being hateful isnt the way but it doesn't matter because they havent been wronged the way youve been. horror deserved to be that cruel because undyne and alphys were just as cruel back to him, so he'll be the same and return it 10fold (he probably wasnt even out of bones when he decided to turn them into chips he just wanted to make it a point that he didn't even need to use his full strength to hurt the guards. horror could've EASILY killed alphys but no he wanted it to hurt for her so she could live a life of eternal suffering and fall to her lowest and to ESPECIALLY hurt undyne. because they deserve to suffer just as much as he did if not more for the crime commited against him)

a betrayal as bad as alphys's is only worsened when she tells him that she doesnt regret a single thing about using him for the underground. that has to be the single most infuriating thing for horror to hear because WHAT DO YOU MEAN alphys doesn't regret a thing? that's exactly what some people gloat about after doing terrible things; they try to sweep it under the rug as nothing that bad or justify it OR JUST STRAIGHT UP ADMIT IT!!! nah horrortale alphys deserved to suffer idc

and back onto that feeling of wanting to kick and scream and drag everyone else down with you after being left so used and betrayed due to getting SAed: i know it was bad that horror tricked snowdin into eating humans it was TERRIBLY BAD but really horror was just operating on anger and spite and the need for vengeance. nobody in snowdin ever did anything to hurt him (and i'm sure horror knows that considering he definitely regrets what he did) but to him maybe they also should feel the pain he feels so they can all relate. so that they can't try and fight against him when he says his side of the story and say that undyne was right with what she did. that maybe he wouldn't feel so absolutely devastated after what happened if he saw everyone around him suffering too, and maybe JUST MAYBE he'd get a bit of something back from his sacrifice that he never consented to

i KNOW i'm not reaching with this but idk if i phrased it the best. but to me horror's story really does genuinely parallel to one of an SA survivor's: the betrayal, the anger, the feeling of loneliness and isolation and just feeling absolutely used for a simple thing as your body. chapter 4 of horrortale really is amazing storytelling and so is horror (he was reasonable in what he did IDC WHAT ANYONE SAYS he might be WRONG but it was reasonable. i love horror sans)

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[lgbtlunaverse]

So I watched A Silent Voice with some but minor knowledge of the story going in. And right at the beginning when Shoko's bullying started I had the nagging worry that while Ishida would be redeemed they'd leave Ueno and Kawai as one-dimensional bullies. Painting the girls as the "real villains" while the male protagonist got to have depth. Anyway I just finished the movie and I would like to formally apologize to Oima Yoshitoki and Yoshida Reiko I should never have doubted you.

[sforzesco]

you're SO right, how is it that the best portrayal of many italian renaissance figures comes from a bad videogame from the 2010s

wheezing I’m torn between going truly this is the best portrayal of Leonardo da Vinci we may ever get, and defending AC2 even though I’m a full time Ezio Saga Hater

[dolores-slay]

Ngl I'm finding it so difficult to keep liking or trying to understand solas knowing what he did to the titans and dwarves and how they don't even factor into his veil plans. Him and mythal just dgaf!

[aelswiths]

*screams into the void*